the first people who taught me what it means
to be safe, to be loved, and to find light
even in the darkest rooms.
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This is our first real home—something we can call our own. But that means Mamá has to work two jobs and will rarely be home. I wonder if a house can feel lonely, too.
This was the living room, with maroon colored walls...
This was the kitchen with a lonely acorn tree painted through the window...
I don't like this house...
The house doesn't like you either.


Claudia slept between Ana and Haydee by the wall, and José—the expert at bothering people—near her feet. He poked her ankle every morning, just so she’d yelp. Mamá left before sunrise for work. While she thought her children were still sleeping, she would kiss everyone goodbye. Claudia would lie awake, pretending to be asleep, so she could remember her presence throughout the day.
Mamá worked in a warehouse, where sewing machines chattered like hard rain all day. Claudia knew the sound stuck to Mamá’s fingers and followed her home, because sometimes Mamá’s hands kept moving even when she was too tired to talk.
That first night, Claudia watched as Haydee traced a chip in the maroon paint with her fingernail—the way someone might worry a loose thread—and whispered, “I don’t like this house.” Claudia was just grateful they didn’t have to sleep with other families anymore, packed together like suitcases in a room she could never call her own.
José’s foot thumped against Haydee’s leg, and he muttered, “The house doesn’t like you either.”
“Stop,” Ana said gently, though she smiled at the corner of her mouth. “Come to the living room. I found something.”




Stop. Come to the living room. I found something.
“It still works,”
Hey! It's my turn.

“The Bop‑It?” asked Claudia in excitement. José smirked. He’d already grabbed it—of course he had. They sat in a circle on the living room carpet, where dust motes floated like tiny planets in the flashlight beams. José held up the Bop‑It. He pressed it and waited to hear the music. When it started playing, he whispered, “It still works.”
When he finished his turn, Claudia tried grabbing the Bop‑It from him. “Hey!” she said, pulling. “It’s my turn.” José grinned, then let go faster than she expected.
“Relax. I was just seeing if you’d fight for it.”
Claudia blinked. Why would he test me? she wondered. She began another try at the game and held the toy steadier in her hands.

¡Ay!

I didn't do it.


Night after night, they made the house less silent. Their circle grew into a ritual: Lotería, then Uno, then a made‑up Spanglish spelling game, then the Bop‑It going around like a tiny, colorful moon. Maybe the house wasn’t scary—maybe it was just waiting for them to show it how to breathe again.
During a thunderstorm one night, the bulbs flickered. Then the house let out a small sigh—and the lights died. The popcorn walls turned into caverns.
“¡Ay!” Haydee squeaked.
“I didn’t do it,” José said quickly (which made everyone wonder if he had).
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